Charlotte's artistic inspirations are rooted in Greek mythology, the French artist Paul Cézanne, Fernand Léger's modern abstractionism, and neo-Primitivist representations of the people of Papua New Guinea.

Childhood and early years edit

Born in Boston on Armistice Day, Gilbertson was the eldest of four children and the only daughter in her family. Her father was a Methodist minister in the neighborhood of Roslindale, Boston, Massachusetts, where her family resided. As a child, her family lived primarily in Roslindale and spent their summers on Cape Cod at their summer residence.

Post WWII, Paris and the GI Bill (1946–1951) edit

Gilbertson enlisted in the Armed Forces during WWII as a psychiatric social worker, stationed on Long Island, New York, and in Georgia. After the war, she had access to the G.I. Bill of Rights, as did many of the war veterans of her generation. Charlotte used it to promote her education. She graduated from Boston University’s School of Fine Arts in 1948 and then moved to New York. In New York City, she was more interested in "constructive design" not found in America. Charlotte wanted to develop a stronger sense of "design" in her work, to engage "the new" and "the modern".

In 1949, Gilbertson went to Paris fascinated by Cézanne's rendering of the Provençal apple. She studied "le dessin" under the French artist Fernand Léger at his Paris atelier. She found a master in Léger. (He jokingly referred to her as "la petite marine", or "the little sailor", because she wore dungarees, which was unusual for a woman at the time.)

In New York City (1951–1979) edit

She returned to New York City in 1951, where she lived for several years.^[a] Charlotte Gilbertson found several jobs in New York City.

During the winters, she worked; during the summers, she painted. This seasonal cycle of employment and painting lasted from 1951 to 1974 and again from 1977 to 1979. From 1962 to 1974, Charlotte most notably worked as an assistant director and, later, as director of the Alexander Iolas Gallery in New York City. Through the Iolas Gallery, Charlotte met and befriended Andy Warhol and appeared in Warhol's film, Kiss.

World travels edit

In 1976, Gilbertson took a polar route around the world, following the sun, and spent over a year traveling the world, visiting Japan, Hong Kong, Australia, Bali, Burma, India, Nepal, the Middle East, Turkey, Greece, Finland, Sweden and Norway, with a special trip to the North Cape. The Japanese and Balinese landscapes influenced her paintings during this time. In 1980, she stopped traveling to care for her elderly parents until they died.

In 1990, Gilbertson resumed her travels to many other countries, including Belize, Fiji, Papua New Guinea, Australia, Bali, India and Nepal. Her explorations in Nepal included treks of the Annapurna Circuit and safaris by an elephant in Nepal's Chitwan National Park. She spent time in Tibet, Thailand, Malaysia and Singapore, ending her journeys in Western Europe with extended time in Paris and London before returning home.

Later years edit

Gilbertson continued as a painter, working with mixed media. She completed a series of works on her memory-impressions of Papua New Guinea, 50" × 72", and on wood panels, employing gold leaf and other mixed media. Many of her paintings in the 1990s featured neo-Primitivist representations of the people of Papua New Guinea.

Gilbertson was included in Who's Who in America (2002). She is also a lifetime member of the Visual Arts and Galleries Association.

• Gilbertson, Charlotte; Bodley Gallery (New York, N.Y.); Charlotte Gilbertson (exhibition): Bodley Gallery, New York City (New York : The Gallery, 1971) OCLC 10480617
• Gilbertson, Charlotte. Papua New Guinea : liklik hap (Harwich Port, MA : CWEB Press, 1998) OCLC: 42673043
• Opitz, Glenn B., ed., "Mantle Fielding's Dictionary of American Painters, Sculptors, and Engravers" (Poughkeepsie, NY : Apollo,1983) ISBN 0-938290-02-9

• Official website
• Andy Warhol Filmography listing Charlotte Gilbertson in the movie Kiss

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