The Three Musketeers

Summary

The Three Musketeers (French: Les Trois Mousquetaires, [le tʁwɑ muskətɛːʁ]) is a French historical adventure novel written in 1844 by French author Alexandre Dumas. As with some of his other works, he wrote it in collaboration with ghostwriter Auguste Maquet.[1][2] It is in the swashbuckler genre, which has heroic, chivalrous swordsmen who fight for justice.

The Three Musketeers
D'Artagnan, Athos, Aramis, and Porthos
Image by Maurice Leloir
AuthorAlexandre Dumas with Auguste Maquet
Original titleLes Trois Mousquetaires
CountryFrance
LanguageFrench
GenreHistorical novel, adventure novel, swashbuckler
Publication date
March–July 1844 (serialised)
Pagesc. 700 (depending on edition)
Followed byThe Count of Moret, The Dove, Twenty Years After 
Les Trois Mousquetaires, by Alexandre Dumas, in French. LibriVox recording by Jc Guan. Chapter 1. Les trois présents de M. d'Artagnan père.

Set between 1625 and 1628, it recounts the adventures of a young man named d'Artagnan (a character based on Charles de Batz-Castelmore d'Artagnan) after he leaves home to travel to Paris, hoping to join the Musketeers of the Guard. Although d'Artagnan is not able to join this elite corps immediately, he is befriended by three of the most formidable musketeers of the age – Athos, Porthos and Aramis, "the three musketeers" or "the three inseparables" – and becomes involved in affairs of state and at court.

The Three Musketeers is primarily a historical and adventure novel. However, Dumas frequently portrays various injustices, abuses and absurdities of the Ancien Régime, giving the novel an additional political significance at the time of its publication, a time when the debate in France between republicans and monarchists was still fierce. The story was first serialised from March to July 1844, during the July Monarchy, four years before the French Revolution of 1848 established the Second Republic.

The story of d'Artagnan is continued in Twenty Years After and The Vicomte of Bragelonne: Ten Years Later.

Origin edit

 
A Musketeer of the Guard c. 1660.

Dumas presents his novel as one of a series of recovered manuscripts, turning the origins of his romance into a little drama of its own. In the preface, he tells of being inspired by a scene in Mémoires de Monsieur d'Artagnan (1700), a historical novel by Gatien de Courtilz de Sandras, printed by Pierre Rouge in Amsterdam, which Dumas discovered during his research for his history of Louis XIV.[3][4] According to Dumas, the incident where d'Artagnan tells of his first visit to M. de Tréville, captain of the Musketeers, and how, in the antechamber, he encountered three young Béarnese with the names Athos, Porthos and Aramis, made such an impression on him that he continued to investigate. That much is true – the rest is fiction: He finally found the names of the three musketeers in a manuscript titled Mémoire de M. le comte de la Fère, etc. Dumas "requested permission" to reprint the manuscript; permission was granted:

Now, this is the first part of this precious manuscript which we offer to our readers, restoring it to the title which belongs to it, and entering into an engagement that if (of which we have no doubt) this first part should obtain the success it merits, we will publish the second immediately.

In the meanwhile, since godfathers are second fathers, as it were, we beg the reader to lay to our account and not to that of the Comte de la Fère, the pleasure or the ennui he may experience.

This being understood, let us proceed with our story.[5]

The Three Musketeers was written in collaboration with Auguste Maquet, who also worked with Dumas on its sequels (Twenty Years After and The Vicomte of Bragelonne: Ten Years Later), as well as The Count of Monte Cristo. Maquet would suggest plot outlines after doing historical research; Dumas then expanded the plot, removing some characters, including new ones and imbuing the story with his unmistakable style.

The Three Musketeers was first published in serial form in the newspaper Le Siècle between March and July 1844.

Plot edit

 
Depiction of the Cardinal's musketeers, the great rivals of the King's musketeers

In 1625 France, D'Artagnan leaves his family in Gascony and travels to Paris to join the Musketeers of the Guard. At a house in Meung-sur-Loire, an older man derides D'Artagnan's horse. Insulted, D'Artagnan demands a duel. The older man's companions instead beat D'Artagnan unconscious with a cooking pot and a tong that breaks his sword. His letter of introduction to Monsieur de Tréville, the commander of the Musketeers, a King's elite regiment, is also stolen. D'Artagnan resolves to avenge himself upon the older man, who is actually the Comte de Rochefort, an agent of Cardinal Richelieu, who is passing the latter's orders to his spy, Milady de Winter. In Paris, D'Artagnan visits Tréville at the Musketeers' headquarters. Without the letter, he faces a lukewarm reception from Tréville. Before their conversation concludes, D'Artagnan sees Rochefort passing in the street through Tréville's window and rushes out of the building to confront him. Pursuing Rochefort, he separately offends three musketeers, Athos, Porthos and Aramis, who each demand satisfaction; D'Artagnan must fight a duel with each of them that afternoon.

As D'Artagnan prepares himself for the first duel, he realizes that Athos's seconds are Porthos and Aramis, who are astonished that the Gascon intends to duel them all. As D'Artagnan and Athos begin, Richelieu's guards appear and attempt to arrest the musketeers for illegal dueling. Offered to leave by the Cardinal's guards, D'Artagnan decides to help the musketeers. Despite being outnumbered four to five, the four men win the battle. D'Artagnan seriously wounds Jussac, one of Richelieu's officers and a renowned fighter. King Louis XIII appoints D'Artagnan to Des Essart's company of the King's Guards, a less prestigious regiment, and gives him forty pistoles. D'Artagnan hires a servant named Planchet and finds lodgings with Bonacieux, a merchant. His landlord later mentions the kidnapping of his wife, Constance Bonacieux, who works for Queen Anne of France. When she is released, D'Artagnan falls in love at first sight with her. Queen Anne secretly meets the Duke of Buckingham, England's first minister. At the meeting, she gives him a diamond necklace, the King's gift to her, as a keepsake.

Richelieu, who wants to diminish the influence of Queen Anne and her Spanish entourage on French internal affairs, plots to persuade the King that his wife is having an affair with Buckingham. On his advice, the King demands that the Queen wear the diamonds to an upcoming soirée. Constance tries to send her husband to London to fetch the diamonds, but he is instead manipulated by Richelieu and thus does not go, so D'Artagnan and his friends intercede. En route to England, Richelieu's henchmen attack them and only D'Artagnan and Planchet reach London. Before arriving, D'Artagnan is compelled to assault and nearly to kill Comte de Wardes, a friend of Richelieu, cousin of Rochefort and Milady's love interest. Although Milady stole two of the diamond studs, Buckingham provides replacements while delaying the thief's return to Paris. D'Artagnan thus returns a complete set of jewels to Queen Anne in time to save her honor.

D'Artagnan hopes to begin an affair with the grateful Constance. Invited to a date, he sees signs of a struggle and discovers that Rochefort and Bonacieux, acting under the orders of Richelieu, have kidnapped Constance. D'Artagnan traces his steps back to find his friends whom he abandoned wounded on his way to London. At their meeting, Athos, drunk, tells D'Artagnan a story about a count who fell in love with and married a young woman. Months later, the count discovered that his wife was branded with a fleur-de-lis on her shoulder, a punishment for felony. The count left her to die in a forest with her hands tied, abandoned his family castle and joined the King's guard under another name. D'Artagnan understands that Athos is telling his own story.

In Paris, D'Artagnan meets Milady and recognizes her as one of Richelieu's agents. He becomes infatuated with her, though her maid reveals that Milady is indifferent towards him. Entering her quarters in the dark, he pretends to be Comte de Wardes, whom she invited in a letter that D'Artagnan intercepted and makes love to her. However, D'Artagnan is not content with Milady's having sex with him thinking that he is de Wardes. He fakes a rude letter from de Wardes, offending Milady. She asks D'Artagnan to duel and kill the Comte. As a prepayment, he has sex with her again, without assuming a fake identity. In the heat of passion, D'Artagnan reveals that it is not the first time they are together. Milady is enraged and in the subsequent scuffle, D'Artagnan discoveres a fleur-de-lis branded on her shoulder. Milady attempts to kill D'Artagnan, who eludes her. He later tells Athos that his former wife is alive.

Cardinal Richelieu offers D'Artagnan a career in his guards' ranks. Dreading the prospect of losing his friends, D'Artagnan refuses despite understanding that his career prospects diminish as a result. With their regiments, D'Artagnan and the three musketeers are ordered to the Siege of La Rochelle. There, the four friends survive two assassination attempts by Milady's agents. The would-be assassins die in the process.

At an inn, Athos overhears Richelieu asking Milady to murder Buckingham, whose support is critical to the Protestant rebels at La Rochelle. Richelieu gives her his order absolving the bearer from any responsibility, but Athos takes the order from her. To get time to secretly consult with his friends, Athos bets that he, D'Artagnan, Porthos, and Aramis will hold the recaptured St. Gervais bastion against the rebels for an hour next morning. They resist for an hour and a half before retreating, killing a dozen Rochelaise in the process, which adds to their legend. They warn the Queen and Lord de Winter about Milady's plan to assassinate Buckingham. Milady is imprisoned on arrival in England, but seduces her guard, Felton,[a] and persuades him to allow her to escape and to kill Buckingham himself.

D'Artagnan is informed that the Queen has rescued Constance from prison. He gets a permission to take her from a convent where the Queen sent her to hide.

Upon her return to France, Milady hides, coincidentally, in the convent where Constance is hiding. The naïve Constance clings to Milady who pretends to be another victim of the Cardinal's intrigues. Seeking revenge on D'Artagnan, Milady poisons Constance before he arrives to rescue her. The musketeers catch Milady before she reaches Richelieu. Summoning a local executioner, they put Milady on trial, sentence her to death, and have her executed. The executioner reveals that it was he who branded Milady as a felon years before after she, a young nun at the time, seduced and then abandoned his brother, a local priest.

When the four friends return to the Siege of La Rochelle, Richelieu's Guards arrest D’Artagnan. D'Artagnan gives the Cardinal the secret order absolving the bearer of any responsibility which Athos had taken from Milady. Impressed with D'Artagnan's candor and secretly glad to be rid of Milady, Richelieu destroys the order and writes a new one, giving the bearer a promotion to lieutenant in Tréville's company, leaving the name blank. D'Artagnan offers the letter to his three friends in turn, but each refuses it; Athos because it is beneath him, Porthos because he is retiring to marry his wealthy mistress, and Aramis because he is joining the priesthood. D'Artagnan, though heartbroken and full of regrets, receives the promotion he had coveted.

Characters edit

 
Sculpture of d'Artagnan, Athos, Porthos and Aramis in Condom, France
Musketeers
  • Athos – Comte de la Fère: he has never recovered from his marriage to Milady and seeks solace in wine. He becomes a father figure to d'Artagnan.
  • Porthos – M. du Vallon: a dandy, fond of fashionable clothes and keen to make a fortune for himself. The least cerebral of the quartet, he compensates with his homeric strength of body and character.
  • Aramis – René d'Herblay, a handsome young man who wavers between his religious calling and his fondness for women and intrigue.
  • D'Artagnan – Charles de Batz de Castelmore D'Artagnan: an impetuous, brave and clever young man seeking to become a musketeer in France.
Musketeers' servants
  • Planchet – a young man from Picardy, he is seen by Porthos on the Pont de la Tournelle spitting into the river below. Porthos takes this as a sign of good character and hires him on the spot to serve d'Artagnan. He turns out to be a brave, intelligent and loyal servant.
  • Grimaud – a Breton, whom Athos, a strict master, only permits to speak in emergencies; he mostly communicates through sign language.
  • Mousqueton – originally a Norman named Boniface; Porthos, however, changes his name to one that sounds better. He is a would-be dandy, just as vain as his master. In lieu of pay, he is clothed and lodged in a manner superior to that usual for servants, dressing grandly in his master's renovated old clothing.
  • Bazin – from the province of Berry, Bazin is a pious man who waits for the day his master (Aramis) will join the church, as he has always dreamed of serving a churchman.
Others
  • Milady de Winter – a beautiful and evil spy of the Cardinal, she is also Athos's ex-wife. D'Artagnan impersonates a rival to spend a night with her, attracting her deadly hatred when the deceit is revealed.
  • Rochefort – a more conventional agent of the Cardinal. Following their meeting at Meung on the road to Paris, d'Artagnan swears to have his revenge. He misses several opportunities, but their paths finally cross again towards the end of the novel.
  • Constance Bonacieux – the queen's seamstress and confidante. After d'Artagnan rescues her from the Cardinal's Guard, he immediately falls in love with her. She appreciates his protection, but the relationship is never consummated.
  • Monsieur Bonacieux – Constance's husband. He initially enlists d'Artagnan's help to rescue his wife from the Cardinal's Guards, but when he himself is arrested Richelieu turns Monsieur Bonacieux against his wife, and he goes on to play a role in her abduction.
  • Kitty – a servant of Milady de Winter. She dislikes her mistress and adores d'Artagnan.
  • Lord de Winter – brother of Milady's second husband who died of a mysterious disease (apparently poisoned by Milady). Acting on a warning from d'Artagnan, he imprisons Milady upon her arrival in England and plans to send her overseas in exile. Later, he takes part in Milady's trial.
Historical characters
  • King Louis XIII of France – presented by Dumas as a fairly weak and self-indulgent monarch, often manipulated by his chief minister.
  • Queen Anne of Austria – the queen of France, described as often neglected by her husband and persecuted by the Cardinal.
  • Cardinal Richelieu – Armand Jean du Plessis, the king's chief minister, who plots against the queen in resentment at having his advances rebuffed. Dumas describes him as being "36 or 37" though in 1625 Richelieu was 40.
  • M. de Tréville – captain of the Musketeers, courtier and a childhood friend of the King. Treville is a mentor, a confidant, and occasionally a protector to the three musketeers and d'Artagnan.
  • George Villiers, 1st Duke of Buckingham – a handsome and charismatic favorite of the King of England used to getting his way; he thinks nothing of starting a war between England and France for his personal convenience. His courtship of Anne of Austria places her in great peril.
  • John Felton – a Puritan officer assigned by Lord de Winter to guard Milady and warned about her ways, he is nonetheless seduced by her in a matter of days and assassinates Buckingham at her request.

Editions edit

Les Trois Mousquetaires was translated into three English versions by 1846. One of these, by William Barrow (1817–1877),[6] is still in print and fairly faithful to the original, available in the Oxford World's Classics 1999 edition. To conform to 19th-century English standards, all of the explicit and many of the implicit references to sexuality were removed, adversely affecting the readability of several scenes, such as the scenes between d'Artagnan and Milady.

There are 3 modern translations as well. One recent English translation is by Will Hobson in 2002.

Another is by Richard Pevear (2006),[7] who, though applauding Barrow's work, states that most of the modern translations available today are "textbook examples of bad translation practices" which "give their readers an extremely distorted notion of Dumas' writing."[8]

The most recent translation is by the American translator Lawrence Ellsworth (Lawrence Schick) published by Pegasus Books in February 2018 from the 1956 French edition.

Ellsworth decided to translate the full trilogy of The d'Artagnan Romances as well as the two novels of The Count of Moret for 21st century readers in 9 volumes, making it the first complete translation in over a century and a half. 7 out of 9 volumes have been published and the 8th volume is in progress in a serialized translation on Substack. [9]

Adaptations edit

Film edit

Television edit

The novel has been adapted also for television in live action and animation.

Live action edit

The BBC has adapted the novel on three occasions:

Young Blades is an American/Canadian television series that aired on PAX in 2005. The series serves as a sequel to the novels, centered on the son of d'Artagnan, played by Tobias Mehler.

A series adapted for Korean history aired in 2014.

Animation edit

Walt Disney Productions produced a Silly Symphony cartoon called, Three Blind Mouseketeers, which is loosely based on the novel in 1936, in which the characters are depicted as anthropomorphic animals.

A two-part adaptation aired on The Famous Adventures of Mr. Magoo, with Magoo portraying D'Artagnan.

The Three Musketeers was a series of animated shorts produced by Hanna-Barbera as part of The Banana Splits Comedy-Adventure Hour and The Banana Splits & Friends show.

The Three Musketeers was a Hanna-Barbera animated special from 1973. It was part of the 1970s-80s CBS anthology series Famous Classic Tales that was produced by Hanna-Barbera's Australian division and often aired around the holidays between Thanksgiving and New Year's Day.

Dogtanian and the Three Muskehounds is a 1981 Spanish–Japanese anime adaptation, where the characters are anthropomorphic dogs. A sequel, The Return of Dogtanian, was released in 1989 by BRB Internacional, Thames Television and Wang Film Productions. Set 10 years after the original, it is loosely based on the novel The Vicomte de Bragelonne. A key difference between the two Dogtanian adaptions and Dumas' novel is that the character traits of Athos and Porthos were interchanged, making Athos the extrovert and Porthos the secretive noble of the group.

In 1989, Gakken produced a new anime adaptation called The Three Musketeers Anime, this time with human characters, which features several departures from the original.

Albert the Fifth Musketeer is a 1994 French-British animated series featuring a new musketeer, the titular Albert.

Mickey, Donald, Goofy: The Three Musketeers, a direct-to-video animated movie produced by Walt Disney Pictures and the Australian office of DisneyToon Studios, directed by Donovan Cook and released on 17 August 2004.

The Backyardigans had a 2009 episode in its third season by the name of The Two Musketeers; a third musketeer joins by the end of the episode.

A Barbie adaptation of the tale by the name of Barbie and the Three Musketeers was released in 2009.

Stage edit

 
1898 production at the Theatre Metropole

The first stage production was in Dumas' own lifetime as the opera Les Trois Mousquetaires with a libretto by Dumas himself and music by Albert Visetti.

An 1898 play, by Henry Hamilton, opened as The Three Musketeers at the Theatre Metropole, Camberwell, England, on 12 September 1898.[15] Renamed The King's Musketeer, it was mounted at the Knickerbocker Theatre in New York on 22 February 1899.[16]

The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. The original 1928 production ran on Broadway for 318 performances. A 1984 revival ran for 15 previews and 9 performances.

The Stratford Festival has staged different theatrical productions of playwright Peter Raby's adaptation of the novel:

  • In 1968, Raby collaborated with composer Raymond Pannell on a production at the Festival Theatre in 1968 directed by John Hirsch,[17] with Powys Thomas as Athos, James Blendick as Porthos, Christopher Newton as Aramis and Douglas Rain as d'Artagnan.
  • In 1988, a production was staged at the Festival Theatre with music by Alan Laing and directed by Richard Ouzounian,[18] with Colm Feore as Athos, Stephen Russell as Porthos, Lorne Kennedy as Aramis and Geraint Wyn Davies as d'Artagnan.
  • In 2000, a production was staged at the Festival Theatre with music by Berthold Carriere and directed by Richard Monette and Paul Leishman,[19] with Benedict Campbell as Athos, Thom Marriott as Porthos, Andy Velasquez as Aramis and Timothy Askew as d'Artagnan.
  • In 2013, a production was staged at the Festival Theatre with music by Lesley Arden and directed by Miles Potter,[20] with Graham Abbey as Athos, Jonathan Goad as Porthos, Mike Shara as Aramis and Luke Humphrey as d'Artagnan.

In 2003, a Dutch musical 3 Musketiers with a book by André Breedland and music & lyrics by Rob & Ferdi Bolland premiered, which went on to open in Germany (both the Dutch and German production starring Pia Douwes as Milady De Winter) and Hungary.

Playwright Peter Raby, composer George Stiles and lyricist Paul Leigh have written another adaptation titled The 3 Musketeers, One Musical For All, originally produced by the now defunct American Musical Theatre of San Jose.

In 2006, an adaptation by Ken Ludwig premiered at the Bristol Old Vic.[21] In this version, d'Artagnan's sister Sabine, "the quintessential tomboy," poses as a young man and participates in her brother's adventures.

In 2018, The Dukes performed an outdoor promenade production in Williamson Park, Lancaster, adapted by Hattie Naylor: in this version d'Artagnan was a young woman aspiring to be a musketeer.[22][23]

Video games and board games edit

In 1995, publisher U.S. Gold released Touché: The Adventures of the Fifth Musketeer by video game developers Clipper Software, a classic point-and-click adventure game.[24] In 2005, Swedish developer Legendo Entertainment published the side-scrolling platform game The Three Musketeers for Windows XP and Windows Vista. In July 2009, a version of the game was released for WiiWare in North America and Europe under the title The Three Musketeers: One for All!.[25] In 2009, Canadian developer Dingo Games self-published The Three Musketeers: The Game for Windows and Mac OS X. It is the first game to be truly based on the novel (in that it closely follows the novel's story).[26] 2009 also saw the publication of the asymmetric team board game The Three Musketeers "The Queen's Pendants" (Настольная игра "Три мушкетера") from French designer Pascal Bernard[27] by the Russian publisher Zvezda.[28] In 2010, a co-operative game called "Mousquetaires du Roy" was released by Ystari and Rio Grande.[29] The alternative spelling of "Roy" was taken from the old French and is rumoured to be preferred over the regular spelling because the publishers desire to have a letter "Y" in the name of the games they publish.[30] Designed by François Combe and Gilles Lehmann for 1-5 players, the medium heavy game depicts the quest to retrieve the Queen's diamonds, while at the same time fending off disasters back in Paris. A sixth player expansion, called "Treville" was also made available in 2010.[31]

In 2010, Anuman Interactive launched The Three Musketeers, a hidden object game on PC and MAC. Players follow d'Artagnan in his quest to become a king's musketeer.[32]

Web series edit

In 2016, KindaTV launched a web series based on the story of The Three Musketeers, called "All For One".[33] It follows a group of college students, mainly Dorothy Castlemore and is centred around a sorority- Mu Sigma Theta (MST). The majority of characters have been gender-swapped from the original story and most character names are based on the original characters.

It covers several themes including the LGBT community, mental health, long-distance relationships and college life.

Audio edit

A musical version with music by Rudolf Friml, book by William Anthony McGuire, lyrics by Clifford Grey and directed by Alastair Scott Johnson was broadcast on BBC Radio 2 on 21 March 1970.[34]

An adaptation in twelve parts by Patrick Riddell was broadcast on the BBC Light Programme 4 April-20 June 1946.[35] The cast included Marius Goring as d'Artgagnan, Philip Cunningham as Athos, Howard Marion-Crawford as Porthos, Allan McClelland as Aramis, Lucille Lisle as Milady de Winter, Leon Quartermaine as Cardinal Richelieu and Valentine Dyall as the Narrator.

In the early 1960s, United Artists Records released an audio dramatization of the first half of The Three Musketeers (UAC 11007) (dealing with the affair of the Queen's Diamonds) as part of their Tale Spinners for Children series, starring Robert Hardy as d'Artagnan and John Wood as Cardinal Richelieu.[36]

Michael York was the narrator for a 1982 Caedmon Records LP recording (TC 1692) consisting of the first five chapters of the novel.[37] Since then, the novel has been released in audiobook format many times.

An adaptation in six parts by James Saunders directed by Martin Jenkins was broadcast on BBC Radio 4 28 April-2 June 1994.[38] The cast included Jamie Glover as d'Artgagnan, Robert Glenister as Athos, Timothy Spall as Porthos, Anton Lesser as Aramis, Imelda Staunton as Milady de Winter, Michael Cochrane as the Duke of Buckingham and Julian Glover as Cardinal Richelieu. This adaptation was rebroadcast on BBC Radio 4 in 1995, on BBC Radio 7 in 2010 and on BBC Radio 4 Extra in 2014.

In September 2019, Amazon released The Three Musketeers: an Audible Original Audio Drama,[39] which follows the story of the book told from Milady's perspective.

In April 2021, Durham University Audio Society began releasing the first season of DUADS' The Three Musketeers.[40] The show originally aired on Durham University's student radio station, Purple Radio, and went on to be nominated for and receive several local awards. The show remains faithful to the events of the novel, but adds in several adventures and touches on additional themes, including LGBT themes. The first season covers the first arc of the book, the quest for the Queen's diamond studs. A second and third season are in the works.

In May 2022, Radio Mirchi Kolkata station aired The Three Musketeers in Bangla version, translated by Rajarshee Gupta for Mirchi's Sunday Suspense Programme. It was narrated by Deepanjan Ghosh. D'Artagnan was voiced by actor Rwitobroto Mukherjee. Athos was voiced by Gaurav Chakrabarty, Porthos by Agni, Aramis by Somak, King Louis XIII by Sayak Aman and Cardinal Richelieu by Mir Afsar Ali.[41]

Other edit

 
Three Musketeers, Issue No. 1, Classic Comics, published 1941

Publisher Albert Lewis Kanter (1897–1973), created Classic Comics for Elliot Publishing Company in 1941 with its debut issues being The Three Musketeers. The Three Mouseketeers was the title of two series produced by DC Comics; the first series was a loose parody of The Three Musketeers. It was also made into motion comics in the Video Comic Book series

In 1939, American author Tiffany Thayer published a book titled Three Musketeers (Thayer, 1939). This is a re-telling of the story in Thayer's words, true to the original plot but told in a different order and with different points of view and emphasis from the original.

Fantasy novelist Steven Brust's Khaavren Romances series have all used Dumas novels (particularly the D'Artagnan Romances) as their chief inspiration, recasting the plots of those novels to fit within Brust's established world of Dragaera.[42] His 2020 novel The Baron of Magister Valley follows suit, using The Count of Monte Cristo as a starting point.[43][44]

Sarah Hoyt's (nom de plume Sarah D'Almeida) Musketeers series[45] begins with Death of a Musketeer, a Mystery Book Club selection, and includes four other titles from Berkley Prime Crime[46] and Goldport Press.

Tansy Rayner Roberts wrote Musketeer Space, a space opera retelling of the original book in which almost all characters have a different gender, as a weekly serialized novel from 2014 to 2016.

In popular culture edit

Literature edit

The American translator Lawrence Ellsworth is currently translating The d'Artagnan Romances in its entirety, and he has also written a 2-volume novel called The Rose Knight's Crucifixion that is a parallel novel to The Three Musketeers, in which most of the characters from The Three Musketeers and Sir Percy Blakeney from The Laughing Cavalier and The First Sir Percy by Baroness Orczy appear. The protagonist's physical appearance, however, is based on Quasimodo from Victor Hugo's The Hunchback of Notre-Dame.

In the book The Assault, The Three Musketeers is quoted in the Prologue as the protagonist had the story read to him by Mr. Beumer, a lawyer who later becomes senile and in morbidity.

Film and television edit

In Slumdog Millionaire, Jamal Malik's final question was to correctly identify the name of the third musketeer- which was Aramis. Jamal did so and won twenty million rupees.

In the film Django Unchained, one of the slaves, owned by Calvin Candie, is named D'Artagnan.

Video games edit

In Pokémon Black and White, the Pokémon Cobalion, Terrakion and Virizion, known as the Swords of Justice, are based on the Three Musketeers. Cobalion represents Athos, Terrakion represents Porthos and Virizion represents Aramis.[47] The fourth Sword of Justice, Keldeo, represents d'Artagnan.[48]

Music edit

The Smiths song You've Got Everything Now features the line: "I've seen you smile, but I've never really heard you laugh" and is borrowed from a narrative description of Athos:

He was very taciturn, this worthy signor. Be it understood we are speaking of Athos. During the five or six years that he had lived in the strictest intimacy with his companions, Porthos and Aramis, they could remember having often seen him smile, but had never heard him laugh.

— Chapter 7, The Interior of the Musketeers[49]

Ppcocaine's song "Three Musketeers" shares little with the novel but its title.

Notes edit

  1. ^ A fictionalization of the real John Felton.

References edit

  1. ^ Samuel, Henry (10 February 2010). "Alexandre Dumas novels penned by 'fourth musketeer' ghost writer". The Daily Telegraph. Archived from the original on 11 January 2022. Retrieved 11 August 2012.
  2. ^ Schopp, Claude (1988). Alexandre Dumas, Genius of Life. trans. by A. J. Koch. New York, Toronto: Franklin Watts. pp. 325–326. ISBN 0-531-15093-3.
  3. ^ Les Trois Mousquetaires by Alexandre Dumas – Free Ebook : Author's Preface. 2004. Retrieved 26 February 2014 – via Project Gutenberg.
  4. ^ Losada, Juan Carlos (3 November 2019). "Los mosqueteros y la alargada sombra de Alejandro Dumas". La Vanguardia (in Spanish). Retrieved 17 May 2020.
  5. ^ Dumas, Alexandre. The Three Musketeers, Author's Preface.
  6. ^ Collecting The Three Musketeers by Dumas, ALexandre - First Edition Identification Guide, biblio.com. Retrieved 17 March 2023.
  7. ^ Thorpe, Adam (25 November 2006). "Review: The Three Musketeers by Alexandre Dumas, translated by Richard Pevear". The Guardian. ISSN 0261-3077. Retrieved 17 May 2020.
  8. ^ Dumas, Alexandre, The Three Musketeers, Penguin Classics Deluxe Edition, "A Note on the Translation", p. xxi
  9. ^ Ellsworth, Lawrence (21 November 2022). "Musketeers Cycle by Alexandre Dumas".
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External links edit

  • The Three Musketeers at Standard Ebooks
  • The Three Musketeers at Project Gutenberg. Plain text format.
  • Listen to Take Spinners for Children: The Three Musketeers on Internet Archive.
  •   The Three Musketeers public domain audiobook at LibriVox
  • History of Dumas' Musketeers, shows links between the characters and actual history.
  • Comprehensive collection of Dumas links
  • The Three Musketeers. Scanned public domain editions in PDF format from Archive.org, some w/ illustrations, introductions and other helpful material.
  • "The Paris of The Three Musketeers", by E. H. Blashfield and E. W. Blashfield. Scribner's Magazine, August 1890. Cornell University Library.
  • Cooper, Barbara T., "Alexandre Dumas, père", in Dictionary of Literary Biography, Vol. 119: Nineteenth-Century French Fiction Writers: Romanticism and Realism, 1800–1860, edited by Catharine Savage Brosman, Gale Research, 1992, pp. 98–119.
  • Hemmings, F. W. J., "Alexandre Dumas Père", in European Writers: The Romantic Century, Vol. 6, edited by Jacques Barzun and George Stade, Charles Scribner's Sons, 1985, pp. 719–43.
  • Foote-Greenwell, Victoria, "The Life and Resurrection of Alexandre Dumas", in Smithsonian, July 1996, p. 110.
  • Thayer, Tiffany, Three Musketeers, New York: Citadel Press, 1939. (On the hard cover, the title is printed as Tiffany Thayer's Three Musketeers.)
  • Discussion of the work, bibliography and links
  • Bibliography and references for The Three Musketeers